Footprints of to Qlndranh themes in the sonnets Anvari

Extended Abstract
     One nice feature of the sonnet, in addition to the themes of love and mysticism is Qalandaraneh The poet's sonnets affected. And prevented them from repetitive and monotonous content is removed. These poems and the Sanaei officially began. Other poets such as Hafez and Attar and follow it up. The poets, who used the themes in his poems Qalandaraneh But Sara did not mention any of them as a poet Qalandar Anvari this category poet who in his sonnets have ceased to good advantage Qlndranh So that we can name him among Qalandariyan noted, however, that he as Qlndrsra not spoken is This study is to Qalandari  themes him by cross - examine, All that research suggests that Anwari to repent of his sonnets break and show their blame and criticism from religious leaders, community disturb the normal taboos And thinking clearly states Qlndranh. His pessimism appears to apply to religious criticism and lack of special effects in his poem Song forgiven Bless seeking In addition, trends toward weights Wrigley active in the well-being and happiness of expression issues, themes Qlndranh has his special thank.

Introduction

  Poetry in Persian literature has gone through a turbulent period; among them were poets who broke old customs and left poems with critical themes. Because they did not criticize the issues of the day and the government and the courtiers, and they criticized most of the actions of the religious rulers. Such poems later became known as Qalandariyya poetry, and such poems were called Qalandariyya. Qalandars have a lot in common with blame in their thoughts and opinions, because in principle, they are a branch and a branch of blame; but in the continuation, their path was separated and their attitude towards judicial issues became particularly different. It is worth mentioning, "Sanai is the creator of Qalandariyeh lyric and mixes it with the spice of mysticism and relies on notoriety and anti-conventionalism. In this type of poetry, there is more talk about the description of rand, windmill, and exaggeration, extension to asceticism, sheikh, Sufi and religious manifestations in general.
 "Thus, the Qalandariye lyric is the word of the Sufis of the Malamatiya School." (Shamisa, 2001: 225). Later, other poets continued the path of Sanai, such as Attar, Rumi and Hafez. The poets of Qalandarsara had their own themes in which they sharply criticized the religious rulers and praised May and the pub and everything that was against religion. In fact, it can be said that Qalandar poetry was a critical view of society and religious rulers, in which poets have inflicted intangible criticism on the society in question.
 
2- Research method
This research has been done by using analytical-descriptive method and giving example evidences of Anvari lyric poems; by first extracting Qalandarian themes from his sonnets, and then by analyzing and interpreting each of them, we have described and explained the verses.
 
3- Discussion and review
Qalandarian themes in Anvari poetry are divided into categories that are clearly visible. The first theme that can be seen in the themes of Qalandar poetry and examples of it can be seen in Anvari poetry is the desire to drink wine. Although wine is a negative word in appearance, "the words of Qalandar poetry find a symbolic identity in the space of poetry with various textures" (Ghavami, 1389: 157). Qalandari poets not only allow the eating of May, but also encourage others to eat it. Anwari has a very personal and noteworthy view of wine, because he mentions May as a safe haven with which he can get rid of the sorrows and hardships of the day. Another Qalandarian theme in poetry is breaking repentance and encouraging others to do so. Such a case can be clearly seen in Anvari's poetry. Anwari's view on this subject is very interesting and noteworthy; because he equates not breaking repentance with infidelity. In Qalandaria's sonnets, "words go beyond their semantic range. Kaaba, mosque, monastery, monastery, prayer, asceticism, fasting, etc., which are the key concepts in the field of Sharia and Sufism, are emptied of their true meaning and find a new meaning that is related to the poet's view of them. "Words such as pub, ruin, rand, idol shop, dir, zenar are acceptable." (Ghavami, 1389: 155).
In the school of Qalandari poets, religious practices are not only not acceptable, but also turning to non-religious and non-Islamic practices is considered a positive feature. Qalandar poets are proud to undertake such acts. The voice of protest against the religious rulers resonated well in the lyric poems of Qalandaran; Anvari is no exception to this rule. In his protest against the religious rulers, he criticizes their actions, but his criticisms are expressed with imperceptible insults and allusions. Anwari has sometimes introduced the religion of Islam and infidelity as a religion from which no one's work is organized; another issue that can be seen in Qalandarian's works is the sarcasm of Zahedan and Sufis who have made hypocrisy their profession and have completely forgotten the ethics and secrets that befits real Sufis. Qalandar and Qalandar character are other words that Qalandar poets have not easily passed by and have used this word in their poems. Anwari is no exception to this rule and has used the word Qalandar in his poem. Happiness is another theme that Qalandari poets have dealt with. In the religion of Qalandars, joy and happiness have a special place that distinguishes their poetry and sonnets from other sonnets. Anwari seeks happiness in his sonnets and is indifferent to its times and sufferings.
The poets of Qalandarsara speak of being blamed and being blamed for goodness. Moreover, their non-adherence to the norms and normal values ​​of society has caused these people to be condemned. Another thing that can be seen in the discussion of Qalandari poets is the avoidance of health and well-being. Those who practiced the religion of love and became part of the Qalandaran dynasty threw four arrogant blows at everything. Qalandari's poetic sonnets often have lively weights that Anwari sonnets have this feature.
 
4-Conclusion
This research is a comprehensive research on Anvari's sonnets in which he clearly showed the true style, style and attitude of the poet who was in the shadow of his sonnets. Although Anvari, due to having lyric poems with praiseworthy and romantic themes, does not express any thought about the existence of Qalandarian themes in his poetry, but it must be admitted that the existence of Qalandaria themes in Anvari's poetry has become prominent.
 Based on the available evidence and signs that can be seen in his sonnets, as well as Anwari sonnets and the way he expresses himself in this poetic form, it can be concluded that the poet due to his poetic mission, in He does not remain silent in the face of the common hypocrisy and hypocrisy of the false claimants of the time who transformed the true Shari'a and path, and he does this by using metaphors and ironies in order to achieve freedom and show the true identity of human beings.
 In his poems, Anwari is proud of pretending to commit non-religious acts and prefers to perform non-religious acts, and condemns religious acts and following the Shari'a. By symbolizing negative and positive words in contradiction with each other, such as May, pub, Qalandar, ruins, and mosque and monastery, etc., he breaks the taboo and breaks the normal and important norms of society. In this regard, It has shown the deep mystical, social and human themes and meanings in the form of special words in order to present it in the form of sonnets and the language of poetry on the talents of conscious human beings.
 Therefore, according to the above issues, it can be said that in Qalandariyeh poems, values ​​such as (prostration, qibla, mosque and rosary) become unhealthy norms and often as anti-values, and instead, non-values ​​and abnormalities such as, (Ruins, May, etc.) are replaced by the poet, who uses this method to show his protest to the society and the hypocritical and false people of his time. Therefore, according to the evidences and proofs that we have presented in this research, the tendencies of Anvari Qalandari were proved. Moreover, we included his lyric poems along with other Qalandari poets (Hafez-Sanaei-Attar) as Qalandari poems for the audience.
 
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