نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشآموختۀ دکتری، گروه پژوهش هنر، دانشگاه تربیت مدرس، تهران، ایران.
2 استادیار، گروه پژوهش هنر، دانشگاه تربیت مدرس، تهران، ایران(نویسنده مسئول)
3 دانشجوی دکتری، گروه تاریخ، دانشگاه تهران، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Muhammad bin Suleyman, known as Fuzuli, was a Shiite poet of the 16th century who composed poems in Azeri Turkish, Persian, and Arabic. He lived during the reign of the Safavid Shah-Tahmasb and the Ottoman Sultan-Murad. Fuzuli's reputation is primarily in the Turkish literature. His well-known work, Sāqīnāmah, includes 320 verses divided into an introduction and seven sections, which contain a debate among musical instruments such as Ney, Daf, Oud, Tanbur, and Qanun, culminating in a talk with the musician himself. The issue of music and its instruments during the Safavid era, the religious and social attitudes towards them, and the presumed character of each instrument at that time are significant topics for research in this piece. Fuzuli's wavering stance on musical instruments and how his religious beliefs influenced his views on music are among the findings of studying Sāqīnāmah. After three hundred verses describing the pleasures of feasting and festivity, along with all the esoteric talks regarding the instruments, each representing a teaching such as righteousness and selflessness, Fuzuli speaks of the prohibition of these instruments. This paper analyzes Sāqīnāmah using a descriptive-analytical approach and library sources, focusing on its literary and artistic aspects, particularly examining its musical terminology.
کلیدواژهها [English]
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